While MacColl is a little miffed to find out the house is next door to a cemetery irrelevant, but it does give the movie a cool title and the tomb of a Dr. Freudstein situated in the middle of their hallway, the family decides to tough it out and make the best of the situation. Not surprisingly, nasty things begin to happen: Malco is attacked by a bat, a spooky-looking babysitter Tenebrae's Pieroni seems to know more than she's telling and looks like a mannequin in one of Bob's visions, and real estate agent Lassander, a long way from her sex starlet days meets up with a poker-wielding assailant. A rare film that even Fulci haters tend to enjoy, House by the Cemetery contains his typically strong emphasis on atmosphere and shocking visuals but also devotes more time than usual to character development and surprising plotting, allowing the graphic gore to serve as a function of the story rather than an end unto itself.
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Romero 's film Night of the Living Dead. Roger Ebert of the Chicago Sun-Times chided theater owners and parents who allowed children access to the film. There was almost complete silence. The movie had stopped being delightfully scary about halfway through, and had become unexpectedly terrifying. There was a little girl across the aisle from me, maybe nine years old, who was sitting very still in her seat and crying. Its first sequel, Dawn of the Dead , was released in
A Fun Bad Film Cheaply made horror film from the 70's that is surprisingly better than you might initially expect. The film opens in Romania as soldiers uncover the underground tomb of the Dracula family. A soldier pulls the stake out of a puffy sheet in an opened casket and is soon bit to death by a giant of a hound.